I’d like to live there, and not even because of the glory holes.Īll of this is out of the way of the artists, so it’s just backdrop, but it adds even more metaphoric warmth to the interior. The show’s crew has done a spectacular job transforming the interior: Christmas trees and faux birch trees wrapped in twinkling lights border the space flat, glass stockings are hung by a fireplace and other decorations abound, complementing the brick walls and wood beams overhead. (The hot shop is constructed in a warehouse in Hamilton, Ontario, known as The Cotton Factory.) The set of Blown Away is perfect for a holiday season: an icy, snowy warehouse, smoke coming from the chimney, transitioning into a warm interior with snow drifting past the windows.
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The challenges are all holiday-themed, from creating gifts to creating a full tree’s worth of ornaments in just hours. Come on, Netflix: give the artists some cash!) (People get $10,000 for three plates of food on Chopped. They’re competing in four challenges, and at the end the winner receives $20,000: $10,000 in cash, and $10,000 for charity, a really nice way to split up an impossibly cheap prize. It’s a mini-all-star season, and it works perfectly. “ to shine a light on the work of our extended community of local artisans and glassblowers.Cat Burns is one of the all-star Blown Away contestants returning for Blown Away: Christmas (Image from Blown Away via Netflix)įor this shortened, four-episode season, five alumni from the first two seasons have returned: Cat Burns, Andi Kovel, Alexander Rosenberg, Edgar Valentine, and Nao Yamamoto.
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“We are leveraging the exposure the show has drawn to my work and thinking through how to expand our joint creative pursuits in a way that reflects our values,” the father said. They established it by keeping their core values of community, sustainability, and ethics in mind, and together, they also hope to use it to train other artisans in their area. Janusz, along with his wife, Miishka, a fellow artist, owns Hohm-meyd, a home goods company that utilizes a network of local creators and makers to produce what they design.
Along with that, he has also traveled across America, Japan, Australia, and parts of Europe to teach and mentor others. Throughout his career, he has gotten the opportunity to work closely with some of the most well-known and respected glass artists in the world, including Lino Tagliapietra, Sonja Blomdahl, Dick Marquis, and Preston Singletary.
With over 30 years of experience, Janusz Poźniak, who currently co-owns a studio with Dante Marioni in Seattle, Washington, is still discovering new ways of experimenting and evolving his craft so as to portray the unique beauty of glass-blowing as an artistic medium as best as possible. “This experience, in particular, has been really surprising and unexpected.” Where Is Janusz Poźniak Now? “Glass is such a beautiful, captivating medium, and yet so many people have not really had the opportunity or reason to investigate it as such,” he said after it was all over. Unfortunately, even though Janusz gave it his all, he just couldn’t bag the ultimate win at the end. And that’s how he found himself on ‘Blown Away’ years later. After graduating, Janusz found work with Christopher Williams and Annette Meech at The Glasshouse in Covent Garden, London, before venturing to America in 1991 to work alongside Dale Chihuly.įrom that opportunity, working with someone who is considered to be one of the best glassblowers alive, Janusz expanded his knowledge, talent, and skill, eventually getting the courage to go out on his own and do the best that he could. Subsequently, driven by his newfound desire to pursue a career in the area, he made some much-needed connections. It was while he was in college, pursuing a Bachelor of Arts degree in 3D Design at West Surrey College of Art and Design, that he picked up an interest in glass art. Despite having a name that suggests a Polish origin, Janusz Poźniak grew up in the United Kingdom and started working in the glass-blowing industry at the age of 19.
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